I am influenced by the construction and destruction of architecture, mathematics, geometry and the relationship between interior and exterior.

Working with moulds suggests a precise, repetitive industrial process, often associated with tableware. With slip casting I can challenge this preconception by creating a paradox.

The reiteration of the moulds is modified using saws and altering the alignment.  The working process is revealed by removing sections and sanding surfaces to unmask coloured layers beneath. This allows me to take a more fluid approach in creating individual architectonic forms, which evolve from one piece to another.

Exploring and exploiting all aspects of the process allows me to realise my current concerns of surface, edge, texture and form. Non-cosmetic surfaces reveal the integral colour, which allows the material to have a voice and removes its association and expectations.